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剧情简介 《荒漠沙海》是2017年的一部纪录片。由乔舒亚·邦奈达精心打造的，电影荒漠沙海，又名El mar la mar、无边之境。The sun beats down mercilessly on all those who cross the Sonoran Desert between Mexico and the United States. Aside from the few people who live here, it’s the poorest of undocumented immigrants that make the crossing, who have no choice but to take this extremely dangerous route, followed by border guards both official and self-appointed. The horizon seems endlessly far away and deadly dangers lurk everywhere. It’s best to move under the cover of darkness; during the day, being exposed to the heat and sun is enough to make animals and humans perish. Their traces and remains accumulate, fade, decompose and become inscribed into the topography of the landscape, making the absent ever-present as life and death, beauty and dread, hostile light and nights aglitter with stars and promise all continue to exist alongside one another.
El mar la mar masterfully weaves together sublime 16-mm shots of nature and weather phenomena, animals, people and the tracks they leave behind with a polyphonic soundtrack, creating a cinematographic exploration of the desert habitat, a multi-faceted panorama of a highly politicised stretch of land, a film poem that conjures up the ocean.
综合评分：
DVD电影网评分7.4，算是一部中等偏上的电影作品，值得收藏看，推荐大家观看。
影迷点评：
余 说：特写固定镜头刺激感官 尽可能拉进观众与荒漠的距离 但真正讲述着故事的采访却声画分离 与铁道中贯穿的浸入式不同 JP解释这样的反差效果时提到了他作为白男人的特权 他坦诚地说他不假装能够对墨西哥难民的苦难感同身受 也许可以解读为一种对媒介力量的谨慎态度 同时配合声音出现的不是完全的黑屏 而是远处拍摄的暴风雨 时不时有电光爆炸在银幕上 与娓娓道来的故事结合出一种诗意
泡在茶杯里 说：荒漠沙海，河流 海岸 暴雨 三部分。开头 模糊的画面似乎模拟边境的状态。第二部分融合了几段难民的画外音采访，黑屏只保留声音。基本声画分立，除了自然音，人物是静默的。第三部分画外读诗。沙漠 墨西哥到美国的边境 johnny guitar电影拍摄地 土地与人的关系 吸收和控制(导演用的俩词)的感觉 影像触感的重视再次体现 不仅是观看 更多在创作者和环境之间
Peter Cat 说：用牛皮纸包裹着的旅人札记里，有你徒手画下美丽风景，只言片语间夹带着沙粒和植物标本以及从别的旅人手中留作纪念合影。偶尔你也会写下一首诗，不知道是从别人嘴中抄来的，还是面对这片自然有感而发。我是随手捡到这本日记的，你是谁，从哪来？我只闻到了日记里太阳和暴风雨日复一日降临的味道。
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