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类型：剧情片 韩国 1949-02-09
主演：Choi Eun-Hee Byeon Ki-Jong Yoo Min Kim Seon-Young Seok Keum-Seong Nam Seung-Min
导演：尹龙奎
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剧情简介 《心中的故乡》是1949年的一部剧情片。由尹龙奎执导，Choi Eun-Hee、Byeon Ki-Jong、Yoo Min等联袂主演。心中的故乡，又名마음의고향、A Hometown in Heart。SynopsisDo-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.NotesA film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea.A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.Afterword- Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.
综合评分：
DVD电影网评分5.0，一部非议较多的电影作品，感兴趣的朋友，先看看评论再决定是否值得看吧。
影迷点评：
Meko 说：因导演和主演的越北而被过低评价的电影。摄影将山水画与透视法结合得相当好，剧本取自咸世德的戏曲<童僧>，首位呼应的环形结构应是后来的改编（编剧和策划明明是同一人，却用了两个名字hh），契合佛教中圆与轮回的思想。亲子离散是韩国民俗剧的老主题了，两个母亲（首尔来的大家闺秀，与猎夫私奔的农家女），两种生活方式（上大学穿西装，山中修行）的对比添了不少张力。影片结尾，도성同当年的生母一样逃离山寺，而错过两位母亲的设定，怕是预示了即便入世也未能寻得向往的城市生活。不过正因离开，才有了“心里的故乡”吧。
漩涡之外 说：弃儿将对母爱的深切渴望，投射在崔银姬（代母）身上，渴念落空、憧憬坍塌的痛，是小和尚所不能承受的最大精神之疾，最终忍痛跳脱出束缚的环境，恰是成长涅槃。孽缘爱痛，佛法善恶，如何明心见性？朴素的影像、平实的质感，难得毫不矫情，又情深意长。山寺寂寂，山岚缭绕，摄影挺好。3.5
十一楼的文森 说：【3.0】很透明化的故事，男孩、美丽寡妇、男孩母亲、住持，四个重要角色的性格、自身困境、以及他们与外界的冲突，都被简明扼要地交代清楚了。这样一个全然小品化的故事平淡朴实地叙述下来，还挺相似于日本电影的味道，当然那个时代的韩语电影制作要撇开日本电影的影响也根本不可能。
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