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剧情简介 《阿里与艾娃》是2021年的一部剧情片。由克里欧·巴纳德执导，阿迪勒·阿赫塔尔、克莱尔·拉什布鲁克、埃洛拉·托尔基亚等联袂主演。阿里与艾娃，又名Ali & Ava。Last at the Festival with 2017’s rural noir Dark River, a selection in the Platform programme, writer-director Clio Barnard returns to the Bradford, West Yorkshire setting of her earlier films for this tumultuous, fiercely affecting midlife love story. A bundle of good humour and nervous energy, Ali (Adeel Akhtar) is a British Pakistani working-class landlord who forges close bonds with his tenants. One day, while picking up one of his tenants’ children from school, he offers a lift to Ava (Claire Rushbrook), an Irish-born teacher and single mother of five. They bond almost instantly through their love of music, though Ali favours the high energy of Buzzcocks and hip-hop while Ava takes refuge in the quieter comforts of Bob Dylan and Karen Dalton. Despite their divergent backgrounds, differences in their stages of life, and the colour of their skin, despite the fact of Ali’s failing marriage and Ava’s fraught relationship with her adult and adolescent children, each finds themself irresistibly drawn to the other. But can their mutual desire transcend a barrage of personal obstacles? Inspired by people Barnard encountered while making her acclaimed features The Arbor and The Selfish Giant, Ali & Ava is a film that feels profoundly rooted in lived experience, blending a tender emotional complexity with an at times bracing depiction of trauma and grief. Akhtar and Rushbrook’s finely hued performances speak to the setting’s cultural diversity and tribal loyalties while yielding a vulnerability that’s alternately heart-wrenching and joyous. Their story serves as a reminder that it is sometimes the least likely connections that are the ones most worth pursuing. …
综合评分：
DVD电影网评分7.1，算是一部中等偏上的电影作品，值得收藏看，推荐大家观看。
影迷点评：
基瑞尔 说：找到彼此最奇妙的际遇与相处的火花，不因分歧与偏差影响两颗同样的心渐渐靠近；我可以听我的所爱，你可以拥有你的过去。各种各样的身份定义和现实背景被抛在了一边，甚至不曾有最浅显的情欲插入其中；舒服的节奏，自然将这样关于邂逅的故事自然推向了讨喜的区域。走到这里，它不甘于此，抛出了“声音”与大量音乐作为展示；也可望见像《金属之声》的美妙。算上《爱的后事》，不敢小瞧这些在BAFTA出现的“路人”。
抛开书本 说：戛纳导演双周。《自私的巨人》珠玉在前，英国本土比较有名的导演。女导演今年入围戛纳的比例实在惊人，不乏政治正确的原因。前半段可以说是醉乡民谣，中间变成k歌情人，烂俗结尾让它从优秀爱情片中剔除。小人物的卑微爱情，何来Happy ending？
朱孔阳 说：所有演员的表演都像火苗一样，除了变幻莫测，对其他人也有温暖、照耀以及灼烧的可能。如果电影的意义在于给答案或者引思考，那么无论素材、切入点还是观点都需要更高级甚至极致的呈现。
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